Control that stays out of the way
ML1 gives you exactly the control you need during performance — nothing more. Visual feedback when you need it, invisible when you don't. Every feature is designed to be used while playing.
Visual precision
See your loops as they play. Progress bars show exactly where you are in each loop, making it easy to anticipate changes and nail your timing.
Loop progress
Dark gray progress bars move smoothly across each loop. Subtle enough to ignore, clear enough to follow. No flashy animations, just useful information.
Recording feedback
A pulsing record indicator shows armed status. During recording, see your waveform build in real-time. Know exactly when your loop will close.
Timing your way
Free timing
Record loops of any length. Create polyrhythmic patterns naturally — let a 3-bar phrase play against a 4-bar groove. The magic happens in the overlap.
Lock mode
When you need synchronization, engage lock mode. New loops automatically match the length of your first loop. Perfect for building verse-chorus patterns and structured compositions.
Live performance features
These aren't studio tools — they're performance controls designed for real-time manipulation:
Random jump
Instantly jump to a random position in any loop. Create glitch effects, break patterns, add surprise. One tap transforms predictable into unexpected.
Reverse playback
Flip any loop backwards while others play forward. Instant atmosphere, no CPU-heavy effects needed. Toggle on and off for dynamic transitions.
Individual volume
Mix your loops live. Fade elements in and out, create dynamics, respond to the moment. Large touch targets work reliably during performance.
Interface that performs
Every element is sized and positioned for live use. No tiny buttons, no complex menus. Touch targets you can hit while playing. Visual hierarchy that makes sense at a glance.
Large, clearly labeled controls respond instantly
Clean typography ensures readability on stage
Precision without complexity
ML1's controls are precise because they do one thing well. No modulation matrices, no automation lanes, no parameter mapping. Just immediate, musical control over your loops.
This is control designed for musicians who perform, not engineers who program. Every feature earns its place by being useful in the moment of creation.
